|Author||: Jean Robertson|
|Publisher||: Oxford University Press, USA|
|Release Date||: 2016-11-01|
|ISBN 10||: 9780190276621|
|Pages||: 464 pages|
|Rating||: 4/5 from 21 reviews|
Themes of Contemporary Art: Visual Art after 1980 (Fourth Edition) is a unique introduction to eight important themes that have recurred in art over the past few decades-identity, the body, time, memory, place, language, science, and spirituality. Jean Robertson and Craig McDaniel provide anintriguing and accessible guide that will stimulate students, gallery goers, and other readers to think actively and critically about visual art from 1980 to the present. The opening chapter provides a concise overview of the period, analyzing how key changes (the rise of digital media, a growingawareness of globalization, the influence of theory, the use of the Internet, and interactions with everyday culture) have resulted in an art world with dramatically expanded boundaries. Each of the remaining eight chapters features an introduction to one theme; a brief look at historical precedentsand influences; a detailed analysis of how contemporary artists have responded to and embodied aspects of the theme in specific works; and two in-depth and fascinating profiles of artists who have extensively explored aspects of the theme in his or her work.Generously illustrated in full color, Themes of Contemporary Art: Visual Art after 1980 (Fourth Edition) covers an international array of artists working with an immense variety of materials, techniques, subjects, and forms. A timeline that situates contemporary art in the context of major events inworld history, art, and popular culture enhances the engaging, readable text.
by Jean Robertson,Craig McDaniel,Associate Dean and Professor of Fine Art Craig McDaniel
Themes of Contemporary Art: Visual Art after 1980 (Fourth Edition) is a unique introduction to eight important themes that have recurred in art over the past few decades-identity, the body, time, memory, place, language, science, and spirituality. Jean Robertson and Craig McDaniel provide anintriguing and accessible guide that will stimulate students, gallery goers, and other readers to think actively and critically about visual art from 1980 to the present. The opening chapter provides a concise overview of the period, analyzing how keyGET BOOK!
by Gillian Perry,Paul Wood
This work discusses the art of the final third of the twentieth century. In seven related chapters, it looks at different aspects of the postmodernism that has dominated art since the 1960s.GET BOOK!
by Terry Barrett
Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, andGET BOOK!
by Caroline Turner,Michelle Antoinette
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergentGET BOOK!
by RachelEpp Buller
Reconciling Art and Mothering contributes a chorus of new voices to the burgeoning body of scholarship on art and the maternal and, for the first time, focuses exclusively on maternal representations and experiences within visual art throughout the world. This innovative essay collection joins the voices of practicing artists with those of art historians, acknowledging the fluidity of those categories. The twenty-five essays of Reconciling Art and Mothering are grouped into two sections, the first written by art historians andGET BOOK!
by Els van Baarle,Cherilyn Martin
An inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point,GET BOOK!
by Terry Smith
Contemporary Art: World Currents argues that, in recent decades, a worldwide shift from modern to contemporary art has occurred. This has not, however, been a uniform change from one phase or style in the history of art to another. Rather, artists everywhere have embraced the contemporary worlds diversity and complexity. The book is a genuinely worldwide survey of art from the 1960s to the present, which emphasizes its relationships to all aspects of contemporary experiencewhat the author calls arts contemporaneity.GET BOOK!
by Marjorie Cohee Manifold
Flexible in approach and full of colorful examples, this textbook provides a basic introduction to what art is and can be in the lives of people who do not necessarily think of themselves as "artists." You will be taught about a variety of art themes, genres, materials, and processes that appeal to novice art makers. The lessons are organized by themes of general subject matter or media. Options are available for work in mixed media, crafts, photography and digital media,GET BOOK!
by Jason Gaiger,Paul Wood
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a generalGET BOOK!
by Pascal, Ana-Maria
Religion is considered by many to be something of the past, but it has a lasting hold in society and influences people across many cultures. This integration of spirituality causes numerous impacts across various aspects of modern life. Multiculturalism and the Convergence of Faith and Practical Wisdom in Modern Society is a pivotal reference source for the latest scholarly research on the cultural, sociological, economic, and philosophical effects of religion on modern society and human behavior. Featuring extensive coverage acrossGET BOOK!
by Peter R. Kalb
Examines contemporary art from its roots to the present day Art Since 1980: Charting the Contemporary presents a chronological survey from the late 20th century into the early 21st century. This title is built around short discussions on individual artists. Author Peter Kalb maintains a balance between a social history of institutions and contexts, and attention to individual aesthetic choices. Works cited come from these fields: painting, photography, and sculpture, plus installation, performance, and video art. MySearchLab is a part ofGET BOOK!
by Nike Bätzner,Jean Baudrillard,Elisabeth Bronfen,Edmund Burke,Carolyn Christov-Bakargiev,Carol J. Clover,Michael Cohen (kustos.),Beatriz Colomina,Douglas Crimp,Richard Davenport-Hines,Tacita Dean,Jacques Derrida,Stan Douglas,Mark Alice Durant,Jane D. Marsching,Richard Dyer,Umberto Eco,Mark Edmundson,Bret Easton Ellis,Kate Ferguson Ellis,Trevor J. Fairbrother,Alex Farquharson,Hal Foster,Michel Foucault,Sigmund Freud,William Gibson,Christoph Grünenberg,Bruce Hainley,Judith Halberstam,Damien Hirst,Gianni Jetzer,Amelia Jones,Jonathan Jones (likovni kritik.),Mike Kelley,Stephen King,Julia Kristeva,Jacques Lacan,Patrick McGrath,Kobena Mercer,James Sampson Meyer,Shamim Momin,Andrew O'Hagan,Edgar Allan Poe,Anne Rice,Andrew Ross (Professor of Social and Cultural Analysis.),Jerry Saltz,Eve Kosofsky Sedgwick,Mary Wollstonecraft Shelley,Nancy Spector,Gayatri Chakravorty Spivak,Robert Louis Stevenson,Anthony Vidler,Jeff Wall,Marina Warner,Slavoj Žižek
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. This collection of writings examines the pervasive and influential role of the Gothic in contemporary art, providing the first comprehensive overview of its uses within contemporary visual culture. The Gothic includes artists' writings by Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese and Catherine Sullivan, complemented by literary extracts from Horace Walpole, William Gibson, Bret Easton Ellis and Stephen King, and theoretical writings by such key thinkers as CarolGET BOOK!
by Richard Verdi
Rembrandt van Rjin (1606–1669) was among the few celebrated old masters who enjoyed considerable freedom in his choice of subject matter. Living and working in the Protestant Netherlands, he painted largely for private patrons and the open market, selecting his own subjects in the hope of finding buyers. Although he depicted biblical, historical, and mythological themes in emulation of the great artists of the past, his subjects often focus on fundamental human experiences and emotions that transcend their literary sources. EvenGET BOOK!
by Helena Reckitt
Feminist art and the fight for equality Art and feminism: Once again, women are on the march. And since its inception in the 19th century, the women's movement has harnessed the power of images to transmit messages of social change and equality to the world. A comprehensive international survey of feminist art: From highlighting the posters of the Suffrage Atelier, through the radical art of Judy Chicago and Carrie Mae Weems, to the cutting-edge work of Sethembile Msezane and AndreaGET BOOK!
by Professor Emeritus of Art Education Terry Barrett,Terry Barrett
Why is that art? Why is it in an art museum? Who says it's art? Why is it good? Why Is That Art?, Third Edition, introduces students to theories of art through the presentation of contemporary works that include abstract and representational painting, animated film, monumental sculpture, performance art, photographs, relational art, and video installations. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, this unique book provides students with a newfound appreciation for contemporaryGET BOOK!
by Ann Albritton,Gwen Farrelly
Presents a clear and comprehensive introduction to the evolving discipline of global art studies This volume examines how art historians, critics, and artists revisit art from ancient times through to the early modern period as well as the ways in which contemporary objects are approached through the lens of global contact, exchange, networks, and trade routes. It assists students who actively seek to understand "global art history" and the discipline beyond the founding Western canons. The first section of ArtGET BOOK!
by David Hopkins
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, CindyGET BOOK!