|Author||: Alison Oddey|
|Publisher||: Psychology Press|
|Release Date||: 1996|
|ISBN 10||: 9780415049009|
|Pages||: 254 pages|
|Rating||: 4/5 from 21 reviews|
Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice, with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It was written because of a perceived need for information about the subject, and is the first book to propose a general theory of devised theatre.
by Alison Oddey
Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice, with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It was written because of a perceived need for information about the subject, and is the first book to propose a general theory of devised theatre.GET BOOK!
by Roger Wooster
Theatre in Education emerged in the mid-sixties as a unique hybrid of performance and child-centred learning. Contemporary Theatre in Education charts the creation and adaptation of this hybrid through the changing political, economic and educational environment. It also takes a snapshot of the TIE being created today, considering all the projects being performed in Wales during a single month. The projects are analysed and every TIE director interviewed about the work and the policies of their companies. It becomes veryGET BOOK!
by Richard Beadle
The mystery plays and other drama of the English Middle Ages are perennially popular with students and theater audiences alike. This book gives an up-to-date account of the field, aimed at students of English literature and theater, as well as showing how the plays can be appreciated by the theater-going public in modern productions. It introduces new readers to famous mystery cycles such as those of Chester and York, and to great morality plays such as Everyman. There is aGET BOOK!
by Patrice Pavis
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.GET BOOK!
by Christopher McCullough
Annotation An overview of the main strands of European thought (with regard to the development of European consciousness) manifest through significant moments of theatre practice. This book goes further than other books by relating theatre history to the development of the European Community as a whole. The author lays emphasis on the analytic sense of culture, wishing to illuminate a particular moment when theatre may be seen as an expression of, or a moment of subversion in, the accepted culturalGET BOOK!
by Carol Martin
Divided into the categories of "history," "theory," "interviews," and "text," the materials in this collection allow the reader to consider the developments of feminist theatre through a variety of perspectives.GET BOOK!
by James Roose-Evans
James Roose-Evans, one of Britain's most experienced and innovative directors and founder of the Hampstead Theatre, surveys the history of the avant-garde in the theatre from its origins through such key figures as Stanislavsky, Meyerhold, Craig, Appia, Copeau, Artaud, Piscator, Brecht, Grotowski and up to the most recent experiments of Peter Brook's magnificent Mahabharata. This is a new, enlarged edition of a highly successful and widely-used book. As James Roose-Evans himself writes: 'I am convinced that if one is aGET BOOK!
by John London
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre?GET BOOK!
by Paul Newell Campbell
This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.GET BOOK!
by C. D. Innes,D. Innes
This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stageGET BOOK!
by Elaine Aston
A practical guide to theatre-making designed to take the reader through the stages of making feminist theatre. Organised into three instructive parts; Women in the Workshop, Dramatic Texts, Feminist Contexts & Gender and Devising Projects.Feminist Theatre Practice: A Handbook is a helpful, practical guide to theatre-making which explores the different ways of representing gender. Best-selling author, Elaine Aston, takes the reader through the various stages of making feminist theatre- from warming up, through workshopped exploration, to performance - this volumeGET BOOK!
by Joel Schechter
Presents some of the most important, informative and lively writing available on popular theatre. The book introduces popular theatre forms such as cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy.GET BOOK!
by John A. Leonard
"John Leonard also discusses artistic input - working with the director and other designers - as well as the production process - putting together cue sheets, desk plots, conducting rehearsals, and operating the show. He gives special attention to musical theatre, with ample discussion of microphones, piano techs, loudspeaker rigs, and the basics of operating a musical."--BOOK JACKET.GET BOOK!
by Martin Banham,James Gibbs,Femi Osofisan,Jane Plastow
"A truly worthwhile resource in a growing field of research -- the theater and drama of Africa -- this volume collects ten essays about theater practice, publications, and productions; in-depth reviews of 17 books; and a new play." -- Choice "... a 'must-have' for anybody interested in issues relating to theatre and development in Africa.... a pioneering effort... " -- H-Net Reviews Art as a tool, weapon, or shield? This compelling issue and others are explored in this diverse collection of intriguing perspectivesGET BOOK!
by Nick Kaye
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectivesGET BOOK!