|Author||: Jim Aris Patterson|
|Publisher||: Pearson College Division|
|Release Date||: 2013-01-01|
|ISBN 10||: 9780205856152|
|Pages||: 400 pages|
|Rating||: 4/5 from 21 reviews|
Brings theatre to life for students by showing the relationship and relevance of the performing arts to their everyday lives The Enjoyment of Theatre's balanced coverage of performance and history provides a comprehensive and accessible introduction to theatre for both majors and nonmajors. This text establishes the aesthetic underpinnings of theatre art and then explores performance and production topics such as playwriting, acting, directing, design, and the theatre industry. The Enjoyment of Theatre also covers the full span of theatre's 2,500-year history. The authors make theatre come alive for students by showing them how theatre is relevant to their everyday lives. Learning Goals: Upon completing this book, readers will be able to: Understand today's theatre and the social impact of the theatre since its inception Explore theatre's cultural and economic context
by Jim Aris Patterson,Tim Donahue
Brings theatre to life for students by showing the relationship and relevance of the performing arts to their everyday lives The Enjoyment of Theatre's balanced coverage of performance and history provides a comprehensive and accessible introduction to theatre for both majors and nonmajors. This text establishes the aesthetic underpinnings of theatre art and then explores performance and production topics such as playwriting, acting, directing, design, and the theatre industry. The Enjoyment of Theatre also covers the full span of theatre's 2,500GET BOOK!
by Kenneth M. Cameron,Patti P. Gillespie
"The Enjoyment of Theatre's" balanced coverage of performance and history provides a comprehensive and accessible introduction to theatre for both majors and non-majors. This text covers the full span of theatre's 2,500-year history as well as performance/production topics such as playwriting, acting, directing, and the theatre industry. The 6th Edition features major revisions while continuing to bring students the expertise of a proven author team--one whose strong academic credentials combine with a wealth of theatre experience. Cameron and GillespieGET BOOK!
by Jim Aris Patterson,Tim Donahue
"This streamlined, engaging text helps students understand the events, places and people that have influenced the history of theatre... Upon completing this book, readers will be able to: Identify the major time periods and geographic areas associated with the history of theatre; Distinguish relevant characteristics of theatre in diverse times and places; Describe the underlying cultural, economic, and political environments as they affected theatre in different times and places; Associate major participants who made theatre within their historical and regionalGET BOOK!
by Tim Donahue,Jim Patterson
Stage Money is a groundbreaking guide to understanding professional theater finances today through the use of the tools and metaphors of the business world at large. This approach results in a comprehensive picture of the economic realities of theater production that is radically different from the assessments typically espoused elsewhere. Tim Donahue and Jim Patterson combine their experiences in the financial and creative aspects of theater production to present in straightforward prose their keen insights into the micro- and macro-economicGET BOOK!
by Milton Marx
The Purpose and Aim of Drama -- What is a Play -- Conflict: the Essence of Drama -- Structure of a Play -- Tragedy -- Comedy -- Serious Drama, Comedy Drama, and Other Tupes -- Literary Movements and Reality in Drama -- How to Judge a Play.GET BOOK!
by Benedict Nightingale
‘A magnificently readable tour of theatrical history conducted by our best-informed living critic.’ Michael Billington From 458 BC and the first performance of Aeschylus’ Oresteia on an Athenian hillside, to 2009 AD and Jez Butterworth’s astonishing Jerusalem at London’s Royal Court Theatre, here is an expert guide to the seminal, pivotal, and transcendent moments in theatre history. ‘Benedict is one of the freshest and most vivid writers on theatre.’ Janet Suzman ‘Benedict has been the leading theatre critic of hisGET BOOK!
by Alyson McLamore
For Surveys of Musical Theater, Music Appreciation courses and Popular Culture Surveys. This unique historical survey illustrates the interaction of multiple artistic and dramatic considerations with an overview of the development of numerous popular musical theater genres. This introduction provides more than a history of musical theater, it studies the music within the shows to provide an understanding of the contributions of musical theater composers as clearly as the artistry of musical theater lyricists and librettists. The familiarity of theGET BOOK!
by Lee A. Jacobus
Offering a broad survey of drama from the ancient Greeks to the present — including many new contemporary prize-winners — The Bedford Introduction to Drama has the plays you want to teach in a collection flexible enough to serve your needs in a variety of courses. Fifty-four chronologically arranged plays are illuminated by insightful commentaries and casebooks that enrich students’ contextual understanding and encourage critical thinking. Concise introductions for each historical period and play emphasize theater design, staging, and acting style, andGET BOOK!
by Karl B. Raitz
The authors show precisely why the new baseball stadiums in Baltimore, Cleveland, and Arlington "work" better than the concrete doughnuts of the 1960s and 70s. They explain why cricket is best enjoyed in an English village green, against the backdrop of a church tower (preferably with clock), half-timbered pub, haystacks, and elm trees.GET BOOK!
by Brenda Laurel
Brenda Laurel's Computers as Theatre revolutionized the field of human-computer interaction, offering ideas that inspired generations of interface and interaction designers-and continue to inspire them. Laurel's insight was that effective interface design, like effective drama, must engage the user directly in an experience involving both thought and emotion. Her practical conclusion was that a user's enjoyment must be a paramount design consideration, and this demands a deep awareness of dramatic theory and technique, both ancient and modern. Now, two decadesGET BOOK!
by Michael Kirby
Michael Kirby was the most outspoken exponent of formalist theater and founded the Structuralist Workshop in the 1960s to explore this style of performance. He called it "Structuralist" (capitalizing the term popularized by Levi-Strauss) to make a distinction between his emphasis on spatial and temporal form (i.e. structure) and the historical association of formalism with styles and abstraction. The book is based on articles written over the course of a decade for the Drama Review, a quarterly journal KirbyGET BOOK!
by R. S. Gwynn
The perfect alternative to lengthy drama anthologies, this brief, affordable collection of the discipline's most widely taught plays provides a concise, but complete, introduction to the study of drama. In keeping with the objectives of the Penguin Academics series, Drama: A Pocket Anthology offers highly respected playwrights and a quality trade-format book at a very affordable price. This expanded edition features five new selections including plays by Paula Vogel and Athol Fugard and a revised, updated section on "Writing aboutGET BOOK!