Sanford Meisner on Acting
Author :
Publisher : Vintage
Release Date : 2012-11-07
ISBN 10 : 0307830632
Pages : 272 pages
Rating : 4/5 from 2 reviews
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Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck

Sanford Meisner on Acting

by Sanford Meisner,Dennis Longwell

Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and

GET BOOK!
Sanford Meisner on Acting

by Sanford Meisner

Taking readers step-by-step through the most basic acting exercises to critiques of performances in scenes from contemporary American plays, this volume follows a class of eight at the Neighborhood Playhouse, where Meisner has taught for fifty years

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Sanford Meisner on Acting

by Sanford Meisner,Dennis Longwell

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Michael Chekhov and Sanford Meisner

by Anjalee Deshpande Hutchinson

Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training offers a comprehensive analysis of the Sanford Meisner Acting Technique in comparison to the Michael Chekhov Acting Technique. This compilation reveals the connections as well as the contradictions between these two very different approaches, while highlighting meaningful bridges and offering in-depth essays from a variety of sources, including master teachers with years of experience and new and rising stars in the field. The authors provide philosophical arguments on actor

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The Sanford Meisner Approach

by Larry Silverberg

Product DescriptionShortly before his death, Sanford Meisner arranged for Larry Silverberg to create a written legacy of his teaching techniques. This book is the second of four books in the Sanford Meisner series. In this extraordinary new book, Silverberg demystifies the emotional demands of acting and leads the actor through a process aimed at tapping into and deepening his own emotional instrument. Not only will actors gain insight into the whole realm of the emotions, they will see very clearly

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The Actor s Art and Craft

by William Esper,Damon DiMarco

A masterful introduction to the actor's craft presents a series of rigorous but flexible exercises, based on the Meisner Technique of acting, designed to help actors deal with a wide variety of performance challenges. Original. 15,000 first printing.

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Meisner in Practice

by Nick Moseley

This book offers actors a step-by-step introduction to the salient features of the Meisner Technique and puts these to the test through a succession of practical exercises. The aim is to take the reader through the various stages of Meisner training, including addressing certain pitfalls and problems which the author has encountered in his own teaching.

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Analyzing and Applying the Sanford Meisner Approach to Acting

by Aaron Lucas Adair,University of Texas at Dallas. Graduate Program in the Humanities

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Audition

by Michael Shurtleff

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all

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Meisner For Teens

by Larry Silverberg

The long-anticipated teen guide to the Meisner technique by Larry Silverberg, leading Meisner Technique author and teacherSELLING POINTSMeisner for Teens, the first book devoted to exploring the Meisner Approach with teens, includes:- Individual and group exercises- Journal prompts- Writing, listening, and observing assignments- Thoughtful, inspiring quotes throughout- Perfect material to incorporate into High School Drama classes- Excellent text for Introduction to Acting college-level courses- Relates the craft of acting to the truths of lifeBOOK SYNOPSISLarry Silverberg, the author who

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Acting as a Business

by Brian O'Neil

Updated with new information about major industry changes, a latest edition of a successful guide counsels actors on the business side of the profession while sharing practical advice on such topics as crafting an effective résumé, joining unions and getting an agent. Original.

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On Method Acting

by Edward Dwight

Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique. On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on: Sense Memory -- the most vital component of Method acting Improvisation -- without it, the most integral part of the

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A Practical Handbook for the Actor

by Melissa Bruder

This simple and essential book about the craft of acting describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools. An actor's job, the

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How to Stop Acting

by Harold Guskin

"The Great Guskin" (John Lahr, The New Yorker) shares the approach he uses to help actors land roles, develop them, and keep them alive Harold Guskin is an "acting doctor" whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. In How to Stop Acting, Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. Instead of yet another "method," Guskin offers a strategy based on a radically simple and

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The Actor s Guide to Creating a Character

by William Esper,Damon Dimarco

William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the

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The Technique of Acting

by Stella Adler

A disciple of Konstantin Stanislavski and a member of the Group Theatre in the 1930s, the noted actress and teacher offers advice on acting preparations, the demands of characterization, and dramatic exercises, as well as personal memories

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Book on Acting

by Stephen Book

"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.

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Acting One

by Robert Cohen

Used to teach beginning acting on more campuses than any other text, Acting One covers the basic elements of realistic acting in twenty-eight lessons – all based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.

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Handbook of Acting Techniques

by Arthur Bartow

A unique survey of the twentieth century’s most influential acting methods, offering invaluable practical insights for actors and drama teachers. Each of the ten famous techniques included in this handbook is described in detail by one of today’s foremost practitioners. Each chapter outlines the development of the respective technique and offers practical guidance for actors wishing to explore it for themselves. • Lee Strasberg Technique by Anna Strasberg • Stella Adler Technique by Tom Oppenheim • Sanford Meisner Technique by Victoria

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