|Author||: Katherine Charlton|
|Publisher||: McGraw-Hill Humanities, Social Sciences & World Languages|
|Release Date||: 1998|
|Pages||: 292 pages|
|Rating||: 4/5 from 21 reviews|
From rock's European precursors to its country, blues, and gospel sources, this complete guide unearths the musical and cultural roots of rock music, opening readers eyes, ears, and minds along the way. A highly readable blend of music commentary and history, this sweeping yet succinct narrative shows the links between rock's beginnings and today's beat. Full coverage of such related pop genres as Disco and Funk, Latin, Reggae, and Ragga are also included.
by Katherine Charlton
From rock's European precursors to its country, blues, and gospel sources, this complete guide unearths the musical and cultural roots of rock music, opening readers eyes, ears, and minds along the way. A highly readable blend of music commentary and history, this sweeping yet succinct narrative shows the links between rock's beginnings and today's beat. Full coverage of such related pop genres as Disco and Funk, Latin, Reggae, and Ragga are also included.GET BOOK!
by Katherine Charlton
In its seventh edition, Rock Music Styles: A History offers an updated perspective on the development of rock music from its origins to its most contemporary styles. Charlton takes students through genres by focusing on featured performers, exploring important songs in Listening Guides, and drawing connections between musical developments throughout the decades. Additionally, decade overviews and chronology charts detailing historical and rock-related events side by side provide a historical and social framework through which to understand rock music styles inGET BOOK!
by Katherine Charlton
Rock Music Styles: A History, takes students on a musical journey through the development of rock music from its origins to its most contemporary styles. Charlton uses in-depth summaries and descriptions paired with a historical background to help immerse students in different musical genres. Learning from featured performers throughout the text and exploring important songs in new and revised Listening guides, students will be able to draw connections between musical developments throughout the decades. The eighth edition of Rock MusicGET BOOK!
by William Emmett Studwell,David F. Lonergan
The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America's spirit and captured a nation's attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal asGET BOOK!
by Piero Scaruffi
This history of rock music is not a history of the charts (which I consider an aberration), but a history of the great ideas introduced by rock musicians over 50 years of relentless innovation, and the history of their greatest albums (regardless of how many copies were sold). It ends up being more focused on alternative rock than on mainstream rock, simply because alternative musicians tend to be more innovative and sincere than mainstream musicians. In a sense, rediscovering alternative rockGET BOOK!
by Drew Nobile
Overturning the inherited belief that popular music is unrefined, Form as Harmony in Rock Music brings the process-based approach of classical theorists to popular music scholarship. Author Drew Nobile offers the first comprehensive theory of form for 1960s, 70s, and 80s classic rock repertoire, showing how songs in this genre are not simply a series of discrete elements, but rather exhibit cohesive formal-harmonic structures across their entire timespan. Though many elements contribute to the cohesion of a song, the rockGET BOOK!
by John Covach,Graeme M. Boone
Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of bluesGET BOOK!
by Timothy E. Scheurer
Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers andGET BOOK!
by Glenn Gass
A History of Rock Music: The Rock & Roll Era is a celebration of the roots of rock & roll and its emergence as the soundtrack to teenage rebellion and a liberatingly raucous, joyous and rebellious music for one especially fortunate generation. The book is a lovingly detailed examination of the pre-Beatles 1950's era of classic rock & roll, with special attention devoted to the music's varied musical influences, most notably the Blues, Country & Western, Gospel Music, Boogie-Woogie and Rhythm & Blues. It isGET BOOK!
by Motti Regev
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This bookGET BOOK!
by Kevin J. H. Dettmar
Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why doGET BOOK!
by B. Lee Cooper,Frank Hoffmann,Wayne S. Haney
Rock Music in American Popular Culture III: More Rock 'n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock 'n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social andGET BOOK!