Music for Ear Training
Author :
Publisher : Nelson Education
Release Date : 2012-05-09
ISBN 10 : 1133712274
Pages : 576 pages
Rating : 4/5 from 21 reviews
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The standard in ear training instruction is Horvit/Koozin/Nelson MUSIC FOR EAR TRAINING. The Fourth Edition takes a hybrid approach to deliver a wealth of practical material that will help students quickly improve their listening and ear training skills. The accompanying digital resources for this text are easy to use and include high-quality recordings of various instruments playing each exercise. The dictation repertoire includes basic rudiments (intervals, chords, and scales), melodies, four-part harmonic settings, and varied textures from musical literature. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Music for Ear Training

by Michael Horvit,Timothy Koozin,Robert Nelson

The standard in ear training instruction is Horvit/Koozin/Nelson MUSIC FOR EAR TRAINING. The Fourth Edition takes a hybrid approach to deliver a wealth of practical material that will help students quickly improve their listening and ear training skills. The accompanying digital resources for this text are easy to use and include high-quality recordings of various instruments playing each exercise. The dictation repertoire includes basic rudiments (intervals, chords, and scales), melodies, four-part harmonic settings, and varied textures from musical

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Music for Ear Training

by Michael Horvit,Timothy Koozin,Robert Nelson

The standard in ear training instruction is Horvit/Koozin/Nelson MUSIC FOR EAR TRAINING. The Fourth Edition takes a hybrid approach to deliver a wealth of practical material that will help students quickly improve their listening and ear training skills. The accompanying digital resources for this text are easy to use and include high-quality recordings of various instruments playing each exercise. The dictation repertoire includes basic rudiments (intervals, chords, and scales), melodies, four-part harmonic settings, and varied textures from musical

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Music for Ear Training  Loose Leaf Version

by Michael Horvit,Robert Nelson

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Ear Training for Twentieth century Music

by Michael L. Friedmann

Michael Friedmann's Ear Training for Twentieth-Century Music is a skills text; using non-tonal materials, students are asked to improvise at the keyboard, sing at sight, take dictation, memorize melodies by rote, and identify selected set classes by eye and ear.

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Strategies and Patterns for Ear Training

by Rudy Marcozzi

A complete, progressive course that teaches musicians how to notate music from audio examples, packaged separately on an included CD set. Basic melodic dictation is followed by progressively more complex scores, in classical, jazz, and popular styles. Designed for the two year undergraduate sequence, Strategies and Patterns for Ear Training offers valuable strategies to students and teachers alike.

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Manual for Ear Training and Sight Singing

by Gary Steven Karpinski

The Manual for Ear Training and Sight Singing and the Anthology for Sight Singing provide a comprehensive, research-based curriculum in aural skills.

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Ear Training for the Body

by Katherine Teck

An approach to music from the dancer's viewpoint, this book offers a two-part exploration of music as it relates to dance, beginning with an introduction to aspects of musicality that dancers--and other music lovers--can explore and put into practice immediately.

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Ear training for the contemporary guitarist

by Jody Fisher

This companion to the popular book "Theory for the Contemporary Guitarist" starts with the basics of pitch discrimination and leads you to making fine distinctions between interval types, chord types, scales and chord progressions. Everything is organized in a handy workbook format with correct answers provided for all exercises. Examples are shown in standard music notation and TAB. A CD demonstrating all the examples played on guitar is included.

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The  Real Easy  Ear Training Book

by Roberta Radley

All great musicians have one thing in common---to a great extent they know what the harmony of a song is as they hear it. Do you? If not, here is a practical guide to get you up to speed. Written by Berklee professor Roberta Radley, it uses contemporary music to help you see how ear training is invaluable for your own musical needs.

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Do It Yourself Musical Ear Training

by Ronald Herder

This interactive, thorough approach to ear training sequentially covers rhythm patterns, melodic intervals and harmony. This self-study course is excellent for older students and adult hobbyists who want to improve their ability to play by ear. Includes an Answer Key for dictation and transposition exercises.

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Essentials of Music Theory

by Andrew Surmani,Karen Farnum Surmani,Morton Manus

Alfreds Essentials of Music Theory is designed for students of any age, whether listeners or performers, who want to have a better understanding of the language of music. In this all-in-one theory course, you will learn the essentials of music through concise lessons, practice your music reading and writing skills in the exercises, improve your listening skills with the available ear-training CDs (sold separately), and test your knowledge with a review that completes each unit.This Alto Clef edition includes

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Sound Advice   Theory and Ear Training

by Brenda Braaten,Crystal Wiksyk

Sound Advice offers an innovative approach to integrating ear training and theory into music study. By working with Sound Advice books and recordings both at home and during lessons, students will gain an enriched understanding and appreciation of music that will last a lifetime. Teachers will find these materials ideal for use in studio and classroom settings for students of all instruments as well as singers and choristers. - Back cover.

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Audio Production and Critical Listening

by Jason Corey

Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear

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Manual for Ear Training and Sight Singing

by Gary S. Karpinski

A research-based aural skills curriculum that reflects the way students learn.

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Ear Training and Violin Playing

by Bruno Steinschaden,Helmut Zehetmair

Ear Training and Violin Playing was written by two Austrian teachers who pioneered the Suzuki approach in the German-speaking world. This valuable little book was written as a supplementary "aid" to the Suzuki teacher, concentrating on posture, bow grip, instrument selection, the bow itself and a helpful analysis of Book One of the Suzuki Violin School. Many insights are offered throughout the book, all gained from intense study, ten years of experience and successful teaching. Some slight departures from Suzuki's

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Beginning Ear Training  Ear Training  Exercises

by Gilson Schachnik

(Berklee Guide). These time-tested exercises will help you to play by ear. This book introduces the core skills of ear training. Step by step, you will learn to use solfege to help you internalize the music you hear and then easily transpose melodies to different keys. Learn to hear a melody and then write it down. Develop your memory for melodies and rhythms. Transcribe live performances and recordings. Listening is the most important skill in music, and this book will

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Aural Education

by Monika Andrianopoulou

Aural Education: Reconceptualising Ear Training in Higher Music Learning explores the practice of musical ‘aural training’ from historical, pedagogical, psychological, musicological, and cultural perspectives, and uses these to draw implications for its pedagogy, particularly within the context of higher music education. The multi-perspective approach adopted by the author affords a broader and deeper understanding of this branch of music education, and of how humans relate to music more generally. The book extracts and examines one by one different parameters that

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Techniques and Materials of Music  From the Common Practice Period Through the Twentieth Century  Enhanced Edition

by Thomas Benjamin,Michael Horvit,Robert Nelson,Timothy Koozin

Designed to serve as a primary text for the first two years of college music theory, TECHNIQUES AND MATERIALS OF MUSIC, 7th Enhanced Edition covers all the basics of composition--including harmony, melody, and musical form. The authors present essential materials of common-practice music and an overview of 20th century techniques, and include numerous hands-on exercises to help students better retain key concepts. Important Notice: Media content referenced within the product description or the product text may not be available in

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Performance Ear Training

by Donovan Mixon

This is a real ear training method that presents in an organized fashion a collection of study concepts that help you develop a functional knowledge and physical sensitivity to progressions, tensions, scales, intervals, and melodies. With clear step-by-step instructions all concepts are demonstrated live in real time by the author on the enclosed CDs.

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Functional Hearing

by Arthur Gottschalk,Phillip Kloeckner

Though the teaching of aural skills is one of the most important tasks facing the college-level music educator, it is often one of the most problematic, sometimes the most feared. Some of this apprehension undoubtedly arises from the lack of effective pedagogical tools that can reliably and more completely address the needs of the discipline. Functional Hearing fills this void with its unique method of comprehensive ear training. This book not only presents melodies for dictation and sight-singing, but also

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