|Author||: Sidney Lumet|
|Release Date||: 2010-09-01|
|ISBN 10||: 0307763668|
|Pages||: 240 pages|
|Rating||: 4/5 from 6 reviews|
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.
by Sidney Lumet
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered withGET BOOK!
by Jon Boorstin
MAKING MOVIES WORK is a fascinating and accessible guide for both filmmakers and serious film fans. It is about how filmmakers think about film. "Through thoughtful examination of the filmmaker's art, Jon Boorstin enhances our sense of enjoyment and appreciation of the results.--Robert Redford.GET BOOK!
by Kevin J. Lindenmuth
You see them on the video shelves, with titles such as Domestic Strangers, The Bride of Frank, The Blood Between Us, Strawberry Estates and Sandman. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course,GET BOOK!
by Roy Severin
Chad Sparks is a twelve-year-old boy living an ordinary life when a friend shows him a newspaper advertisement. Its words call out to him: Movie Tryouts Boys and girls ages 10 to 15 wanted. Now casting for extras in a new Ninja movie. Chad isn t just obsessed with movies, he loves ninjas in particular, and so he heads to the Oregon community college where the tryouts are being held. To his surprise, he s picked to be in the movie, andGET BOOK!
by Sarah Garza
Action! It's time to enter the world of movie magic! readers are taken behind the scenes to find out what is needed to make a film. From the director to the actor, the director of photography to the costume designer, children will be fascinated to learn about the various aspects that go into motion pictures. With its vivid images, informational text, and impressive facts, this nonfiction title will have readers engaged through the entire book as they discover amazing factsGET BOOK!
by Thomas Cripps
This is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years--marked as it was by the propaganda catchwords brotherhood and tolerance--came movies that defined a newGET BOOK!
by Gary Graver,Andrew J. Rausch
In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography ofGET BOOK!
by Maria Langer
Tired of turning raw video footage into ho-hum productions that make people yawn? Or, worse yet, just putting raw video out there and hoping for the best? If so, this guide is for you. It clearly explains how to research, plan, shoot, assemble, edit, and fine-tune video productions for just about any purpose. Richly illustrated with stills from an example movie, it'll get you on the right track to making movies that'll inform, entertain, and impress your audience.GET BOOK!
by Walter Mirisch
This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, IGET BOOK!
by Sheena Sippy,Naman Ramachandran,Divya Thakur
Lights, Camera, Masala is a joyous celebration of over five decades of mainstream Hindi cinema popularly known as Bollywood from the 1950s to the present day. Written in an engaging andaccessible style, the book documents the process of making a commercial Hindi film.GET BOOK!
by Steven Cohan
The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbusterGET BOOK!
by Chris Palmer
Longtime producer Palmer provides an in-depth look at wild animals on film, covering the history of wildlife documentaries, safety issues, and the never-ending pressure to obtain the "money shot." Marlin Perkins, Jacques Cousteau, Steve Irwin, Timothy Treadwell, and many other familiar names are discussed along with their work, accidents, and in some cases, untimely deaths. Palmer is highly critical of Irwin, and offers fascinating revelations about game farms used by exploitative filmmakers and photographers looking for easy shots and willingGET BOOK!