|Author||: Alison Bechdel|
|Publisher||: Houghton Mifflin Harcourt|
|Release Date||: 2007|
|ISBN 10||: 9780618871711|
|Pages||: 232 pages|
|Rating||: 4/5 from 1496 reviews|
A memoir done in the form of a graphic novel by a cult favorite comic artist offers a darkly funny family portrait that details her relationship with her father--a funeral home director, high school English teacher, and closeted homosexual.
by Alison Bechdel
A memoir done in the form of a graphic novel by a cult favorite comic artist offers a darkly funny family portrait that details her relationship with her father--a funeral home director, high school English teacher, and closeted homosexual.GET BOOK!
by Judith Kegan Gardiner
Alison Bechdel’s Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison’s complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book’s nonlinear structure; intertextuality with modernist novels, Greek myths, andGET BOOK!
by Carey Purcell
Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. InGET BOOK!
by Maja-Felicia Kristan
Research Paper (undergraduate) from the year 2018 in the subject American Studies - Literature, grade: 1,0, University of Erfurt (Philosopische Fakultät), course: Literature in Images: Graphic Novels, language: English, abstract: This work analyzes the perception of authencity in "Fun Home". Alison Bechdel’s "Fun Home" from 2007 is a graphic memoir that tries to create a sense of truthfulness to the reality of the author’s memories by employing various means. This paper examines the techniques Bechdel uses for the creation ofGET BOOK!
by Genevieve Hudson
Literary Nonfiction. Growing up queer in the deep South, Genevieve Hudson longed for stories about lives like her own. So she turned to Alison Bechdel's groundbreaking graphic memoir, FUN HOME. In its panels, she found sly references to Bechdel's personal influences. A Little in Love with Everyone is Hudson's journey down a rabbit hole of queer heroes like Audre Lorde, Eileen Myles, and Adrienne Rich, who turned their stories into art and empowered future generations to embrace their own truths.GET BOOK!
by Michael A. Chaney
Some of the most noteworthy graphic novels and comic books of recent years have been entirely autobiographical. In Graphic Subjects, Michael A. Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese. These essays, accompanied by visual examples, illuminate the new horizons that illustratedGET BOOK!
by Chip Kidd
'Show me something I've never seen before and will never be able to forget - if you can do that, you can do anything.' It's 1957, long before computers have replaced the trained eye and skilful hand. Our narrator at State University is determined to major in Art, and after several risible false starts, he accidentally ends up in a new class: 'Introduction to Graphic Design'. His teacher is the enigmatic Winter Sorbeck, equal parts genius, seducer and sadist. SorbeckGET BOOK!
Seminar paper from the year 2018 in the subject Literature - Modern Literature, grade: 3,0, University of Erfurt, course: Literature in images: Graphic Novels, language: English, abstract: A lot of graphic novels work with Intertextuality, because as a visual medium they can represent or quote another text even better than a normal novel. Alison Bechdel’s Fun Home is a prime example of those graphic novels that use intertextuality. Her memoir is full of pop culture and book references. My thesis isGET BOOK!
by Alison Bechdel
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissingGET BOOK!
by Alison Bechdel
"When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father’s hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeingGET BOOK!
by Amy Bloom
Amy Bloom was nominated for a National Book Award for her first collection, Come to Me, and her fiction has appeared in The New Yorker, Story, Antaeus, and other magazines, and in The Best American Short Stories and Prize Stories: The O. Henry Awards. In her new collection, she enhances her reputation as a true artist of the form. Here are characters confronted with tragedy, perplexed by emotions, and challenged to endure whatever modern life may have in store. AGET BOOK!
by Lisa Kron,Jeanine Tesori
These songs represent the inspiring new voices of the American Musical Theatre scene. You'll be transported into the living rooms of the brightest, most cutting-edge writers where you'll discover fresh rhymes and catchy melodies that usher Musical Theatre into the 21st century. Curated by award-winning writers and founders of NewMusicalTheatre.com, Brian Lowdermilk and Kait Kerrigan.GET BOOK!
by Sue Rolfe
As we grow older, our need to be engaged in interesting activities does not diminish and is vital to our quality of life. How to Make Your Care Home Fun examines the need for activities for elderly people in care and offers a practical programme of entertaining activities that can be used in nursing and residential homes, day centres, rehabilitation centres and hospices. As well as suggesting a programme of activities for older people in care homes including arts andGET BOOK!
by Jane Tolmie
Autobiography has seen enormous expansions and challenges over the past decades. One of these expansions has been in comics, and it is an expansion that pushes back against any postmodern notion of the death of the author/subject, while also demanding new approaches from critics. Drawing from Life: Memory and Subjectivity in Comic Art is a collection of essays about autobiography, semiautobiography, fictionalized autobiography, memory, and self-narration in sequential art, or comics. Contributors come from a range of academic backgroundsGET BOOK!
by Hillary L. Chute
We are living in a golden age of cartoon art. Never before has graphic storytelling been so prominent or garnered such respect: critics and readers alike agree that contemporary cartoonists are creating some of the most innovative and exciting work in all the arts. For nearly a decade Hillary L. Chute has been sitting down for extensive interviews with the leading figures in comics, and with Outside the Box she offers fans a chance to share her ringside seat. Chute’GET BOOK!