|Author||: Andrea Lugli|
|Publisher||: Gingko Press|
|Release Date||: 2002|
|Pages||: 336 pages|
|Rating||: 4/5 from 21 reviews|
Creative Impulse brings together a multitude of graphic designers and artists such as Sagmeister and Nofrontiere who have their own rhythms and their own obsessions. In the final analysis a designer inevitably brings into play a conceptual awareness that compels reflection. So a voyage through his elective affinities also becomes a form of methodological recognition - a kind of Bildungsroman transformed into visual. This aspect is obvious from the book's inclusion of the sketchbooks and formal/design notes: they record the moments in which an intuition takes shape. The magical moment in design: giving shape to an idea.
by Andrea Lugli
Creative Impulse brings together a multitude of graphic designers and artists such as Sagmeister and Nofrontiere who have their own rhythms and their own obsessions. In the final analysis a designer inevitably brings into play a conceptual awareness that compels reflection. So a voyage through his elective affinities also becomes a form of methodological recognition - a kind of Bildungsroman transformed into visual. This aspect is obvious from the book's inclusion of the sketchbooks and formal/design notes: they recordGET BOOK!
by Anna-Teresa Tymieniecka
It would seem that modern humanity has unthroned the human spirit, undercutting the very foundation of the validity of truth, moral values and principles. There appears to be no attempt to discern what is beautiful and true: it is functional and pragmatic usefulness that seem to dominate human evaluations and transactions with other humans and, indeed, animals. Humanity is becoming detached from the `higher' aesthetic, moral and intellectual works of the human spirit and thus the life of the spiritGET BOOK!
by James C. Kaufman,Robert J. Sternberg
What constitutes a creative person? Is it someone who can perform many tasks innovatively? Is it someone who exhibits creative genius in one area? Is it someone who utilizes her creativity for good and moral causes? Is it someone who uses his creativity to help his company or country succeed? Different cultures have different perspectives on what it means to be creative, yet it is nearly always the American or Western perspective that is represented in the psychological literature. TheGET BOOK!
by Mary Banks Gregerson,Heather T. Snyder,James C. Kaufman
Creative teaching as well as teaching creativity are cutting edge issues in psychology today as recent academic and popular media coverage has shown. This volume expands on that interest with chapter authors drawn from interdisciplinary areas. It includes examples of creatively teaching across the education system, including preschool, K-12, undergraduate, and graduate level education. The variety of subjects covered by the chapters include psychology,math, science, and reading. In addition to creative teaching which may lead to enhanced learning andGET BOOK!
by Kevin Karnes
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis andGET BOOK!
by Christoph Weckerle,Manfred Gerig,Michael Söndermann
Policy makers at all levels are discovering the notion of creative industries: the music industry, literature and book market, art market, film and television industries, performing arts, design, architecture, advertising, software / computer games - from economic and innovation strategies to education policy and urban development, the creative industries are being described as a model for success. However, strategies for real, practical implementation remain vague. This publication provides a greatly needed overview of the concepts and specific characteristics of this sector.GET BOOK!
by Olivier Berggruen,Max Hollein
In his early years, Picasso discovered the theatre as a source of inspiration and motifs for his art. Characters came from carnivals and vaudeville, and Commedia dell'Arte figures such as Harlequin and Pierrot were key. This volume features over 80 works dating between 1900 and 1930 to show how passionate he was about the theatre.GET BOOK!
by Sammlung Hauser und Wirth (St. Gallen, Suisse).,Sammlung Hauser und Wirth (Sankt Gallen),Museum Dhondt-Dhaenens
Clementine Rose was delivered not in the usual way, at a hospital, but in the back of a mini-van, in a basket of dinner rolls. So begins the story of a lovely little girl who lives in Penberthy Floss in a large ramshackle house with her mother, Lady Clarissa, Digby Pertwhistle the butler and a very sweet teacup pig called Lavender. When her scary Aunt Violet arrives unexpectedly, the household is thrown into disarray. What is it that Aunt VioletGET BOOK!