|Author||: James Gurney|
|Publisher||: Andrews McMeel Publishing|
|Release Date||: 2010-11-30|
|ISBN 10||: 0740797719|
|Pages||: 224 pages|
|Rating||: 4/5 from 3 reviews|
From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesnâ€™t Exist. James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction. "James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist
by James Gurney
From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesnâ€™t Exist. James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's mostGET BOOK!
by David K. Lynch,William Charles Livingston,William Livingston
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and aGET BOOK!
by Donald Kaufman,Taffy Dahl,Christine Pittel
"Human beings feel a universal attraction to light. It is the source of life-giving energy . . . and where there is light there is color." "Color is light made visible," says Donald Kaufman," and the atmosphere of the air we breathe and the quality of the light passing through it affect how we see color." A wall painted terra cotta in Santa Fe will look very different than a wall painted terra cotta in New York. By understanding the nature of theGET BOOK!
by Katie Middleton
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up.GET BOOK!
by Marcel Minnaert
All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearanceGET BOOK!
by Roland Rood
Explores the experience of vision, what the eye is able to see, and how to represent what one sees in painting through the use of values, production of color by addition and subtraction, induction, and contrast.GET BOOK!
by Faber Birren
A classic study of the profound effect of color in the places we inhabit, our homes, offices, factories, hospitals and schools. The author shares his findings and the practical applications toward healthier and more creative environments. This revised edition includes a chapter on the changing environment caused by the computer.GET BOOK!
by Ortrud Westheider
This beautifully illustrated book examines the artistic career of the French painter and draftsman Henri-Edmond Cross who was a key figure in the development of European modernism. Inspired by the work of Realist painters such as Gustave Courbet and François Bonvin, Henri-Edmond Cross's earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move toGET BOOK!
by Michael Humphries
Create visually-stunning backgrounds that stand out. Visual Storytelling with Color and Light teaches background and concept designers in animation and film the skills needed to create visually stunning and professionally appealing pieces. In the world today—where digital is considered king—traditional media and the skills attached to them are often overlooked. Although it is true that major studios no longer want their backgrounds or concept boards hand drawn or painted, they do want their artists to have traditional asGET BOOK!
by Frank H. Mahnke,Rudolf H. Mahnke
Color and light in Man-Made Environments Frank H. Mahnke Rudolf H. Mahnke Color and light play key--though generally unrecognized--roles in our lives. Despite the decades of research on the subject, we are often unaware that anxiety, stress, visual disorders, and a host of other problems may actually be caused by a poorly designed environment. The gap between color research and design application has been so wide that the use, for example, of white in interiors reached epidemic proportions from the 1950GET BOOK!
by Karen White
An emotionally moving novel of a woman in search of a new beginning and a man haunted by the past—from the New York Times bestselling author of the Tradd Street novels. At thirty-two, Jillian Parrish finally finds the courage to put herself in the driver’s seat of her life. Pregnant and recently divorced, she and her seven-year-old daughter find refuge and solace on Pawleys Island, South Carolina—Jillian’s only source of happy childhood memories. Summers spent atGET BOOK!
by Kevin Macpherson
These pages practically glow with Kevin Macpherson's rich and powerful paintings! He shares his techniques for quickly capturing the mood of a scene in bold, direct brushstrokes, with step-by-step instructions that make it easy—simply a matter of painting the colors you see. Follow his lead and you too, can create landscapes and still lives in a vibrant, impressionistic style.GET BOOK!
by Marilyn Chandler McEntyre
The great Dutch artist Vincent van Gogh comes to life in a new light on the pages of this splendid volume. Through eloquent poetic meditations on Van Gogh's late paintings, Marilyn Chandler McEntyre shows how these artworks testify to divine presence, and she invites readers to find their way through form, color, and light into a new awareness of the Spirit. Some of McEntyre's poems remind us of the sorrows in the life of this solitary artist and of hisGET BOOK!
by Karin Fridell Anter,Ulf Klarén
Colour and Light: Spatial Experience describes the coherent interaction of light and colour in the spatial context. It explains the nature of light to colour specialists, and the nature of colour to light specialists, simultaneously conveying an understanding that light and colour must be thought of together. In addition, it brings out the apparent contradictions between the practically based knowledge of craftsmen, engineers and designers, and the theoretically based knowledge of academics in various disciplines. Including background context, facts andGET BOOK!
by Gary Waldman
Designed for a nonmathematical undergraduate optics course addressed to art majors, this four-part treatment discusses the nature and manipulation of light, vision, and color. Questions at the end of each chapter help test comprehension of material, which is almost completely presented in a nonmathematical manner. 170 black-and-white illustrations. 1983 edition.GET BOOK!