|Author||: Rebecca Stone|
|Release Date||: 2012|
|ISBN 10||: 9780500204153|
|Pages||: 248 pages|
|Rating||: 4/5 from 21 reviews|
This wide-ranging survey, now established as the best single-volume introduction to Andean art and architecture on the market today, describes the strikingly varied artistic achievements of the Chavín, Paracas, Moche, Nasca, Chimú and Inca cultures, among others. For this fully revised third edition, Rebecca Stone has rewritten and expanded the text throughout, touching on many of the recent discoveries and advances in the field. These include new work on the huge stone pyramids and other structures at Caral; continued excavations of Inca child sacrifices perched on mountaintops throughout the empire, with their perfectly preserved clothing and miniature offerings of metal, ceramics and shell; spectacular murals and the remarkable burial of a tattooed female warrior-leader at the Moche site of Huaca Cao Viejo; and many new finds of high-status textiles, along with fresh analyses of weaving technology and new interpretations of designs and motifs.
by Rebecca Stone
This is a study of the art and architecture created by the various cultures of the ancient Andes. The book examines the goldwork, intricate textiles, vast cities and tall pyramids that constitute one of the oldest artistic traditions in history which, although the Incas are famous as the masters of the largest empire in the Renaissance world, remains relatively little-known."GET BOOK!
by Rebecca Stone
This wide-ranging survey, now established as the best single-volume introduction to Andean art and architecture on the market today, describes the strikingly varied artistic achievements of the Chavín, Paracas, Moche, Nasca, Chimú and Inca cultures, among others. For this fully revised third edition, Rebecca Stone has rewritten and expanded the text throughout, touching on many of the recent discoveries and advances in the field. These include new work on the huge stone pyramids and other structures at Caral; continuedGET BOOK!
by Barbara Mauldin,Blair Clark
With over four hundred color photographs, this book presents an overview of the religious, textile, costume, utilitarian, and festival folk arts made after the Andeans were free from Spanish colonial rule.GET BOOK!
by Susan E. Bergh,Luis Guillermo Lumbreras,Luis Jaime Castillo
"Eminent ancestors of the better-known Inca, the Wari ascended to power in the south-central highlands of Peru in about AD 600, underwent a period of explosive growth, and then, by AD 1000, collapsed. During this lifespan, they created a society of such unprecedented complexity that many today regard it as the first empire in the Andes. Elite arts and the ideologies that informed them were among the culture's most prominent exports. From their eponymous capital, one of the largest archaeological sites inSouthGET BOOK!
by Liliana Villegas
"This book presents artifacts - or artefactos - from everyday life, objects that have accompanied Colombian people through the centuries, both in their earthly and spiritual activities. In both English and Spanish, the word artifact means, literally, "made with skill or art." Although all worthy of museums and galleries, these are not just exhibition pieces, nor are their makers all members of a separate artisan class. There is no Colombian home, however humble, that does not have a handmade broom,GET BOOK!
by Mary Strong
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and cultureGET BOOK!
by Carol Damian
"Reconstructs the history of the Virgin of Cuzco who, as a fusion of indigenous Andean and Spanish Christian beliefs and practices, represents both the Virgin Mary and Pachamama. Includes background chapters on Andean and Spanish beliefs and art. Major, mostly original work illuminates multiple aspects of the outlooks of both peoples as reflected in their religious iconography during the colonial period. Magnificently illustrated"--Handbook of Latin American Studies, v. 58.GET BOOK!
by George F. Lau
Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the EarlyGET BOOK!
by César Paternosto
"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of theGET BOOK!
by Heidi King
Of universal appeal and great beauty, Peruvian featherworking was part of a highly sophisticated textile tradition spanning several thousand years. Although these rare treasures, which include vibrantly colored and detailed garments, headdresses, personal ornaments, and ritual objects, have been admired and collected by connoisseurs for decades, this unusual and exquisite art form has not been much investigated or published. Peruvian Featherworks, a magnificently illustrated publication, is the first in-depth and authoritative review of featherworking traditions in Ancient Peru. Written byGET BOOK!
by Dumbarton Oaks
"Andean Art at Dumbarton Oaks presents the Andean portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It superbly illustrates all 133 Andean objects in color plates, and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, and which has been amplified slightly since his death, is a remarkably significant collection. These works of art are among the finest examples of the visual arts producedGET BOOK!
by Penelope Dransart,Penny Dransart,Helen Wolfe
Looks at thirty textiles from the Andes housed in the British Museum, describing their historical, cultural, and environmental significance and their role in political and religious beliefs of the ancient civilization.GET BOOK!
by Elena Phipps,Johanna Hecht,Cristina Esteras Martín
The arrival of the Spanish in South America in 1532 permanently transformed the Andean cultural landscape. Within a generation, societies that had developed over thousands of years, including the great Inca Empire, had been irrevocably altered. The arts from the Spanish colonial period--those that drew on native traditions, such as textiles, silver, woodwork, and stonework, as well as painting, sculpture, and other genres introduced by the Spanish--preserve an unspoken dialogue that developed between Andean and European modes of expression.This beautifulGET BOOK!
by Nando Parrado
In the first hours there was nothing, no fear or sadness, just a black and perfect silence. Nando Parrado was unconscious for three days before he woke to discover that the plane carrying his rugby team, as well as their family members and supporters, to an exhibition game in Chile had crashed somewhere deep in the Andes. He soon learned that many were dead or dying—among them his own mother and sister. Those who remained were stranded on aGET BOOK!
by Ananda Cohen Suarez
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen Suarez also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness.GET BOOK!
by Jeffrey Quilter
The Ancient Central Andes presents a general overview of the prehistoric peoples and cultures of the Central Andes, the region now encompassing most of Peru and significant parts of Ecuador, Bolivia, northern Chile, and northwestern Argentina. The book contextualizes past and modern scholarship and provides a balanced view of current research. Two opening chapters present the intellectual, political, and practical background and history of research in the Central Andes and the spatial, temporal, and formal dimensions of the study ofGET BOOK!