Is Art History Global
Author :
Publisher : Routledge
Release Date : 2013-10-18
ISBN 10 : 1135867666
Pages : 128 pages
Rating : 4/5 from 21 reviews

This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.

Is Art History Global

by James Elkins

This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.

Art History

by Michael Hatt,Charlotte Klonk

This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.

A History of Art History

by Christopher S. Wood

An authoritative history of art history from its medieval origins to its modern predicaments In this authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both

How to Write Art History

by Anne D'Alleva

"An invaluable handbook, How to Write Art History, will enable students to get the most from their art history course. Anne D'Alleva empowers readers to approach their coursework with confidence and energy." --Book Jacket.

The Art of Art History

by Donald Preziosi

What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? This work is a guide to understanding art history through a critical reading of the field's most influential texts over the past two centuries.

Critical Terms for Art History  Second Edition

by Robert S. Nelson,Richard Shiff

Edited by Robert Nelson and Richard Shiff, Critical terms for art history is both an exposition and a demonstration of contested terms from the current art historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art, reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are seeing them employed. In its wide representation

The Language of Art History

by Salim Kemal,Ivan Gaskell

Each of the chapters in this volume is a response to theoretical and practical questions regarding the relationship between the art object and language in art history. Accessible to readers of all social science disciplines, the issues discussed challenge the boundaries to thought that some contemporary theorizing sustains.

Careers in Art History

by Association of Art Historians

For prospective undergraduate students of Art History, or professionals looking to develop an existing art history career or move into the field, Careers in Art History groups jobs by theme to show the range of careers available within certain sectors and how they interconnect. This edition has also included more potential careers, including less obvious roles such as advertising, heritage tourism and museum retail, and reflected the changing job market with an extended entry on freelance work. This edition also


by Robert Farris Thompson

In this generously illustrated book, world-renowned Yale art historian Robert Farris Thompson gives us the definitive account of tango, "the fabulous dance of the past hundred years–and the most beautiful, in the opinion of Martha Graham.” Thompson traces tango’s evolution in the nineteenth century under European, Andalusian-Gaucho, and African influences through its representations by Hollywood and dramatizations in dance halls throughout the world. He shows us tango not only as brilliant choreography but also as text, music, art,

Modern Perspectives in Western Art History

by W. Eugene Kleinbauer,Medieval Academy of America

A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.

The Art History of the World

by Sibyl Haynes

The Art History of the World, part 1 is a picture book illustrated by the author which gives a brief and somewhat whimsical overview of the art of the Mediterranean including Mesopotamia, Egypt, Greece plus that of the Indus Culture, Persia and China. It is not intended to fully explain these developments but to give children, and perhaps adults a taste for art history.

Gay and Lesbian Studies in Art History

by Whitney Davis

Find original research and interpretive studies of the relations between homosexuality and the visual arts. Evidence for the role of homosexuality in artistic creation has often not survived, in part because the direct expression of homosexuality has often been condemned in Western societies. Gay and Lesbian Studies in Art History presents examples of contemporary art historical research on homoeroticism and homosexuality in the visual arts (chiefly painting and sculpture) of the Western tradition from the ancient to the modern periods.

Art History After Modernism

by Hans (Professor of Art Belting, Science and Media Theory Karlsruhe's State College of Design Germany),Hans Belting,Professor for Art History and Media Theory Hans Belting

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories

Art History  After Sherrie Levine

by Howard Singerman

“Howard Singerman’s new volume is truly groundbreaking for reasons that might at first seem counter-intuitive in their common sense: he smartly sets artistic production of the 1980s in context, looking at artworks in parallel with intellectual dialogues of the time in order to show how each was deeply enmeshed in the other—and then he radically expands his art-historical frame. Taking up the work of one remarkable artist, Sherrie Levine, in light of art-historical precedents set by, among many

Race ing Art History

by Kymberly N. Pinder

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Art History and Education

by Stephen Addiss,Mary Erickson

Guided by Stephen Addiss's grounding in art history scholarship and Mary Erickson's expertise in art education theory and practice, this volume approaches the issue of teaching art history from theoretical and philosophical as well as practical and political standpoints. In the first section, Addiss raises issues about the discipline of art history. In the second, Erickson examines proposals about how art history can be incorporated into the general education of children and offers some curriculum guides and lesson plans for

Digital Art History

by Anna Bentkowska-Kafel,Trish Cashen,Hazel Gardiner

This book looks at the transformation that Art and Art history is undergoing through engagement with the digital revolution. Since its initiation in 1985, CHArt (Computers and the History of Art) has set out to promote interaction between the rapidly developing new Information Technology and the study and practice of Art. It has become increasingly clear in recent years that this interaction has led, not just to the provision of new tools for the carrying out of existing practices, but to

Art History and Its Institutions

by Elizabeth Mansfield

"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to

Political Landscape

by Martin Warnke

Whether considering the role of landscape in battle depictions; or investigating monumental figures from the Colossus of Rhodes to Mount Rushmore; or asking why gold backgrounds in paintings gave way to mountains topped with castles; Political Landscape reconfigures our idea of landscape, its significance, and its representations.

The Architecture of Art History

by Mark Crinson,Richard J. Williams

What is the place of architecture in the history of art? Why has it been at times central to the discipline, and at other times seemingly so marginal? What is its place now? Many disciplines have a stake in the history of architecture – sociology, anthropology, human geography, to name a few. This book deals with perhaps the most influential tradition of all – art history – examining how the relation between the disciplines of art history and architectural history has waxed and