|Author||: Richard Crawford|
|Publisher||: W. W. Norton|
|Release Date||: 2013|
|ISBN 10||: 9780393935318|
|Pages||: 557 pages|
|Rating||: 4/5 from 21 reviews|
An ear-opening exploration of music s New World, from Puritan psalmody to mash-ups."
by Ellen Koskoff
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.GET BOOK!
by Mellonee V. Burnim,Portia K. Maultsby
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural,GET BOOK!
by Bob Blumenthal
Explore the essence of jazz from its early roots, to the years of swing and Satchmo, to ragtime and beyond. In Jazz: An Introduction to the History and Legends Behind America's Music, renowned jazz writer Bob Blumenthal offers a perfect introduction to understanding jazz, whether you are approaching the music for the first time or seeking to deepen your knowledge. Inside you will find the people who made the music, history, listening suggestions, jazz trivia, and more. Can you digGET BOOK!
by J. Heywood Alexander
Following the same chapter organization as An Introduction to America s Music, To Stretch Our Ears is the first gathering of significant and far-reaching readings that illuminate many aspects of American music."GET BOOK!
by Nadine Hubbs
In this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification—especially with tonal music, French culture, andGET BOOK!
by Elaine Keillor,Timothy Archambault,John M. H. Kelly
This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. • Provides print and Internet resources with each entry • Presents exclusive information derived from the personal research and fieldwork of the editors • Includes a timeline that highlights important developments in First Peoples' musical expressions • Supplies an index that allows users to easily look up all of the relevant information on a topicGET BOOK!
by David King Dunaway,Molly Beer
Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures, including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins,GET BOOK!
by Jean Ferris
This text addresses the broad range of music in the United States from early periods to today, presenting this rich tapestry of sound in its historical and cultural context. Its reasonable length, readability, and logical organization make the text a useful and attractive means of furthering appreciation of the musical heritage of the United States. Frequent connections to other arts, particularly the visual arts, add to the book's appeal and enhance understanding of core musical concepts. The text also offersGET BOOK!
by Josh Kun
“With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and theorist of inter-ethnic dialogue in US music, literature, and visual art. This book is a guide to how scholarship will look in the future—the first fully realized product of a new generation of scholars thrown forth by tumultuous social ferment and eager to talk about the world that they see emerging around them.”—George Lipsitz, author of Time Passages: Collective Memory and American Popular Culture "The range and depthGET BOOK!
by Helena Simonett
An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable "one-man-orchestra" capable of producing melody, harmony, and bass all at once. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the more exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and SouthGET BOOK!
by Jeff Berglund,Jan Johnson,Kimberli Lee
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.GET BOOK!
by Richard Crawford
An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.GET BOOK!
by James Kaplan
From the prizewinning Jewish Lives series, a fast‑moving, musically astute portrait of arguably the greatest composer of American popular music Irving Berlin (1888-1989) has been called--by George Gershwin, among others--the greatest songwriter of the golden age of the American popular song. "Berlin has no place in American music," legendary composer Jerome Kern wrote; "he is American music." In a career that spanned an astonishing nine decades, Berlin wrote some fifteen hundred tunes, including "Alexander's Ragtime Band," "God Bless America,"GET BOOK!
by Wilfried Raussert,Giselle Liza Anatol,Sebastian Thies,Sarah Corona Berkin,José Carlos Lozano
Exploring the culture and media of the Americas, this handbook places particular emphasis on collective and intertwined experiences and focuses on the transnational or hemispheric dimensions of cultural flows and geocultural imaginaries that shape the literature, arts, media and other cultural expressions in the Americas. The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensiveGET BOOK!
by Tara Browner,Thomas Riis
In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process.GET BOOK!
by Antony C. Sutton
Breaking 170 years of secrecy, this intriguing expos+ takes a behind-the-scenes look at Yale's mysterious society, the Order of the Skull and Bones, and its prominent members, numbering among them Tafts, Rockefellers, Pillsburys, and Bushes. Explored is how Skull and Bones initiates have become senators, judges, cabinet secretaries, spies, titans of finance and industry, and even U.S. presidents, including George W. Bush. This book reveals that far from being a campus fraternity, the society is more concerned with the successGET BOOK!
by Grover Sales
Jazz: America's Classical Music is a delightful introduction and guide to this complex and compelling music and to its rich history. In an engaging and conversational style, renowned jazz teacher Grover Sales tells of the lives and music of the greats—Ellington, Tatum, Hawkins, Coltrane, Parker, Hines, Goodman, Armstrong, and many others—with a mix of important facts, fascinating anecdotes, and brilliant interpretations. Illustrated with astonishing photographs of the artists in performance, Jazz: America's Classical Music is a classic text,GET BOOK!